Ink Blot Project
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About the Images
I.B. Artistic Statement

Each ‘Ink Blot’ represents an individual, a whole person whose life has been dramatically affected by sexual assault or incest. Each individual, be they a man, woman or child represents this crimes ability to hold no social-economic, racial or gender limitations. It can affect anyone anywhere. Too many years of stereotypes about who a victim is and why this crime happens has perpetuated its ramped nature.  I want to show without exception anyone can be a victim of this crime. It is not a crime of passion but one of control and domination. Everyone can be apart of the change needed to stop this violence buy looking past the numbers, the fear and blame. We can make a change by recognizing the people who through no fault of their own, had their lives dramatically influenced by this violence.

To illustrate this, I have chosen to incorporate several well-known images that have long been used to show our uniqueness and also show how stress and trauma can affect the psyche.

The first influence would be that of my projects namesake, ‘Ink Blots’ which is a psychological test designed by Hermann Rorschach (1884-1922). The Rorschach inkblot test identifies elements of ones personality in which a subject's interpretations of abstract designs are analyzed as a measure of emotional and intellectual functioning and integration.

Along the same line of thought handwriting analysis is a projective technique like body language which can profile human behavior in the areas of social skills, thinking styles, achievement/work habits, and possible ways of dealing with stress. It is a method to view the emotional development of an individual relative to maturity and consistent actions and influences of stress or trauma.

Finally, I used images of blood to represented ones DNA truest form of identification of an individual.

Layering these strong psychological references with real stories by real people I hope to be able to reach out to the general public and create a voice, an honest picture of what survival from sexual assault and incest is really like so as a contemporary culture we can make a positive social change.
Q  A
Q: What do ‘Ink Blots’ represent?

A: Each ‘Ink Blot’ represents an individual, a whole person whose life has been dramatically affected by sexual assault or incest. Each individual be they a man, woman or child represents the crimes ability to hold no social-economic, racial or gender limitations. It can affect anyone anywhere. Too many years of stereotypes about who a victim is and why this crime happened to them has perpetuated its ramped nature.  I want to show who the victims are with out any doubt; anyone without exception can be a victim of this crime.

To illustrate this, I have chosen to incorporate several well-known images that have long been used to show our uniqueness and also show how stress and trauma can affect the psyche.

The first influence would be that of my projects namesake, ‘Ink Blots’ which is a psychological test designed by Hermann Rorschach (1884-1922). The Rorschach inkblot test identifies elements of ones personality in which a subject's interpretations of abstract designs are analyzed as a measure of emotional and intellectual functioning and integration.

Along the same line of thought handwriting analysis is a projective technique like body language which can profile human behavior in the areas of social skills, thinking styles, achievement/work habits, and possible ways of dealing with stress. It is a method to view the emotional development of an individual relative to maturity and consistent actions and influences of stress or trauma.

Finally, I used images of blood to represented ones DNA truest form of identification of an individual.

Q: How does this project help the survivors that participate by filling in your form with their personal stories and send it back to you?

A: Ink Blots helps the victims that chose to participate in several ways,
1). It is very therapeutic to write out your story and let it go, send it out into the world. This creates a sense of separation from the trauma rather then holding onto the pain forever.
2). It gives the survivors a sense of empowerment knowing that their contribution will help to educated and raise funds to both prevent this sort of assault and help other survivors.
3). But putting a human voice to this crime and stepping away from the statistics we are helping non victims create a dialogue and a way to connect to survivors.

Q: Specifically, how do you expect this project to promote social change?

A: Just like the AIDS quilt did for AIDS it will bring a lot of publicity and attention to this crime. By creating a public conversation about this societal epidemic we have a chance mobilize the survivors and create a united voice to change legislation, create more empathy and public support for survivors and also begin to re-educate our youth to eventually curb the number of people perpetrating this crime.

Q: How much funding do you anticipate ‘Ink Blots” will be able to raise for the centers that participate?

A: I am hoping to be able to give back $20-30 dollars from the sale of each ‘Ink Blot’, so in theory, for every 100 participants that send me their story, that would be about $2,500 dollars that would be donated to centers around the country. That could really add up quickly!  As ‘Ink Blots’ becomes more self reliant by means of donations, grants and other income, I hope to be able to have a higher percentage that I am able to donate to the crisis centers. This is just for starters…

Q: What happens to the portion of the sales that does not go towards crisis center donations?

A: The rest of the money goes towards the actual materials for the artwork, expenses preparing and setting up the installations, transportation, shipping, public speaking to raise awareness and managerial expenses for the project, not to mention space rental and general utilities.

Q: How has this project been funded prior to the sales to the artwork?

A: I have always really believed in this project so, for the past three years I have done all the work my self and funded it with whatever money I could save. That was about $5,000 in supplies and equipment last year alone. I believe with all my heart this project can work and must work. I need to put everything I have into it… there is no other option.

Q: How do you figure out which crisis centers get what amount?

A: on my survivor participation form there is a place were they would identify which crisis center they heard about my project from. If non is listed, the donation will be sent to RAINN a national organization that does really wonderful work.

Q: What are the events like you are putting together be like?  What will people be able to expect when they go?

A: Of course the spaces will be filled with the ‘Ink Blot’ images. There will also be a video performance projection, sound sculpture, displayed poetry and interactive artistic installation pieces.  In addition to the artwork the neighboring centers will be able to table their own presentations and distribute information about the services they provide to that community.

Q: What motivated you to start this project?

A: My own experiences started back in the 70’s. Then there were no 1-800 numbers, clinics or support groups available. I did survive, and was able to process my experiences to the point were I could get by without thinking about it too much. Well, the not thinking about it too much was the key to getting through it back then. Years past and time went by then a dear friend and roommate of mine was kidnapped at knifepoint, rape and tortured for five hours or more. The police treated her like she was the perpetrator and her otherwise loving and supportive family were just anxious for her to “forget about it and move on.”  I realized these were not uncaring people, why were they acting like that? My friend’s further victimization at the hand of the police and friends was a result of a lack of education proliferated by stereotyping and the stigmatization of anything associated with sex (in a true sense or not). The general lack of public sensitivity due to the abuse of women, children and sex by our media and judicial system is mind numbing. In addition I went through the beginning of the AIDS crisis while living in California in the mid 80’s. I lost several friends and saw all the rejection and neglect that they went through for many of the same reasons. Even in the medical communities ignorance prevailed. The AIDS quilt helped to change all of that and it is my greatest hope that ‘Ink Blots’ will do same for sexual. My comfort had been that things seamed to be changing; there were crisis centers and support groups now. I believed that what I went through was being prevented. It was devastating for me to see I had deluded myself. I started out working for the crisis hot lines, but this was just triaging after the fact. I wanted to stop this war against women, children and even men. At present in my life I personally know 5 men that have been victims and at least a dozen women. These are not friends I have made through the centers, just normal people living normal lives. This is the point of ‘Ink Blots’ the victims of sexual assault and incest are normal men, women and children from all walks of life from all socio-economical back grounds
Board of Directors
Misha Shebesta: President

Education:
Columbia college Chicago, IL
School of the Art Institute Chicago, IL
Loyola University  Chicago, IL
University of Minnesota Mpls, MN

Trained (2 month program) crisis line operator through YWCA, Chicago
Trained educator for Chicago Rape Victims Advocates

Business Experience:
President of Ink Blot Project
       project creator, promoter, manager
Monahan Radiology,  office manager(1997 – present)
Weiss Hospital satellite office assistant manager (1992-1995)


Nonprofit Experience:
(2000 – 2006) volunteer for Garfield Park Conservatory
    1. worked with the supervision and education of inner city children
  2. supervised projects and reported to volunteer director
    3. assisted horticulturalist in green house maintenance
Guest speaker Chicago Docent Program (2003-2004)
    1. designed and presented lectures of inner city teens on both (March 2003 & October 2003)
I have lectured about sexual asault on many occasions but these would be the most prestigious:
    1. Loyola University, Chicago (February 2004)
        Following the Vagina Monologues
    2. Columbia College, Chicago (May 2004)
    3. Malcolm X College, Chicago (Sept. 2004)

Artistic Experience:
Professional Artist (1998-present)

Memberships & Associations:
Woman Made Artist (2001 - 2003)
Chicago Artist Coalition (2001 - present)

Awards:
2005 CAAP grant recipient for 'Ink Blot Project'

Vice President/Secretary: Jerry Boyle
Attorney
Block & Associates

Admitted to Practice:
1983, Supreme Court of Illinois, U.S.
District Court, Northern District of Illinois (including Trial
Bar); U.S. Court of Appeals, Seventh Circuit; U.S. Supreme
Court;

Education:
Law School: University of Illinois, J.D., 1983
College: Loyola University of Chicago, B.A., 1979;
National Institute for Trial Advocacy, Midwest Regional, 1988

Memberships:
Chicago (Mentor, The Pathways Mentoring Program, 1991-
1992) and American (Member, Section of Litigation) Bar
Associations; Appellate Lawyers Association of Illinois.

Biography:
Author: "Splitting Fees Without Splitting Hairs: A
Primer on Referrals," CBA Record (YLS Journal), May-June,
1993, reprinted in Law Office Economics & Management, Vol.
XXXIV, No. 4 (1994). Lecturer: "Ethical Referral And Fee
Sharing Arrangements," Y.L.S./C.B.A. Committee on Professional
Responsibility, 1993; "Surviving As An Associate," Y.L.S./C.B.
A. Law Student Committee, 1993; "Class Action Lawyering: A
Practical Guide," IIT/Chicago-Kent College of Law ATLA
Chapter, 1995. Treasurer, 1991-1992; Vice-President, 1992-1993
and Secretary, 1993—, Irish Immigration Service. Charter
Member, Rotary Club of Chicago-Midwest, 1996—. Member:
Founding Committee, Chicago Lawyers for International Human
Rights, 1992; Counsel, Institute for Economic Justice, 1989—.
Treasurer/Stephanie M. Acosta
Creative Administrator accustomed to prioritizing and juggling multiple tasks while remaining oriented to
organization and detail. Independent, fast learner skilled at increasing efficiency through the
development/adaptation of working systems, while remaining flexible and able to improvise solutions to
the unexpected. Spanish-fluent.
EDUCATION
Bachelor of Arts in Directing, minor in Religious Studies
Webster University’s Conservatory of Theatre Arts - St. Louis, Missouri 2004
PROFESSIONAL EXPERIENCE
INDEPENDENT CONTRACTOR EXPERIENCE
INK BLOTS - Chicago, Illinois 2008
Administrative Coordinator - [Independent Contractor]
O Archived all original hard & electronic documentation from inception thru present day.
O Assistant to Executive Director with special projects as required. Including but not limited to:
Scheduling speakers & art shows, grant writing as needed, editing & proofing letters of inquiry,
grant applications, Press Releases etc.
O Bookkeeping including Excel and introducing QuickBooks (limited) .
AMERICAN RED CROSS - Chicago, Illinois 2007
Education Coordinator - [Independent Contractor]
O Assisted Preparedness Dept. Manager in the reconstruction of Education Coordinator JD,
broadening the scope of the role in transition for Managerial role in the Department. Including
but not limited to:
O Accurately identifying improvements needed during transitioning process
O Updating handbook and procedure manuals used to train and sustain new position.
O Managing between 12-15 Full/Part Time Instructors & Independent Contractors.
O Responsible for scheduling ARC public/corporate courses on- and off-site, assessing type and
quantity of Instructors needed for all classes scheduled.
O Liaison between Instructors and Sales Associates.
O Responsible for department payroll including administration of in-office hours for Instructors.
O Other duties include: Troubleshooting last-minute cancelations and billing issues with Sales
Associates, updating filing system hard/electronic copies, directing high volume phone & email
communications, and other administrative duties as required by Departmental Manager.
ANATOMY COLLECTIVE – Chicago, IL 2004-Present
Artistic Director/Co-Founder
o Guiding the creative goals of the multi-disciplinary performing arts collective while always
focusing on keeping true to the TAC mission statement.
o Coordinator of national and international collaborations with varied artists and organizations
such as the Chicago Underground Library and Melbourne Australia’s Concrete Cloud Theatre
Collective.
o Compiled comprehensive research for productions using historical, literary, scientific, and artistic
resources.
SMA 2
o Participating on every level of production including but not limited to concept, design, building,
producing, dramaturgical, fundraising and direction.
o Extended Professional Theatre & Arts Resume available.
WORLD RELIEF - Chicago, Illinois 2005-2006
Intake & Administrative Coordinator
O Directing high volume of visitors, clients and phone inquiries to the appropriate department in
culturally diverse community including highly sensitive cases for the Mental Health & Refugee
Social Services Departments.
O Liaison between Chicago office and HR & Payroll Departments at World Relief Headquarters,
Baltimore. Including but not limited to: Changes of Status, New Hires, Terminations and the
coordination of full-organization online meetings.
O Developed systems to track and monitor process from above listed.
O Created new updated office policy & procedure handbooks for the Administrative Department.
O Self-directed the development of new computer database systems including: Intern & Volunteer
Master Records, Personal & Corporate Donors Database, Grant/Audit Database and Equipment
purchase & repair Records.
O Assisted Executive Director with special projects as needed.
O Coordinated troubleshooting, orders and repair services for all office equipment to ensure
efficient operations including phone & computer network systems.
O Accurately translated documents from Spanish to English including legal documentation and
confidential personal testimonials for Immigration Legal Services Department.
O Organized agendas for monthly staff meetings including crisis groups.
O Other duties include: distributing outgoing & incoming mail and faxes, updating postage logs,
supervising all maintenance and upkeep of building facilities, supervising maintenance staff,
maintaining phone list serve, coordinating shared classroom/group/meeting space schedules and
additional administrative and communication duties as required.
WEBSTER UNIVERSITY, Department of Religious Studies – St. Louis, Missouri 2000-2004
Research & Administrative Assistant
o Conducted research for bibliography of publications by Chair and Head of Religious Studies Dept.
o Created varied versions of texts using multiple footnote and appendix formats.
o Consulted on new system of information sharing developed for researchers working on a
collaborative project at different times.
o Familiar with various research resources, including: interviews, unpublished works, online
information, and library facilities.
o Liaison for student/professor/administration dialogue Re: Professor's Tenure. Archived letters
and memos for tenure evaluation process and organized confidential student-teacher evaluations
on a semester-to-semester basis.
o Replaced full-time Administrative Assistant during summer breaks and assisted during
Fall/Spring Semesters.
GRANDEL THEATRE – St. Louis, Missouri Summer 2002
House Manager
o Managed 20 person staff including box office, security, bar staff, and ushers.
o Coordinated with Stage Managers to maintain simultaneous performances and schedule of all
aspects of the Front of House.
o Provided front line customer service to patrons, resolving unexpected situations & complaints in a
timely and respectful manor.
o Liaison between the Performers/Producers/Venue

Boardmember: Andrew Osis

Education

University of Chicago B.A. 1997

Lubricated Music

Andrew is the founder and co-head of Lubricated Music,

a partnership that has provided musical entertainment for private events,

festivals, and nightclubs throughout the U.S. and abroad since 2000.

Urban Gateways

Andrew is touring performer for Urban Gateways,

a Chicago-based non-profit organization that brings art presentations and workshops to area schools. 

Lubricated Music developed a program to educate students about the history of blues music,

as well it's integral role in the developement of modern American rock and hip hop

Professional Musician

Andrew has been playing guitar professionally for over 10years under the pseudonym Giles Core


Boardmember: Wendy Pesavento

Education:
M.S. Business Administration    Benedictine University     05/06
B.S. Accounting/Management    Purdue University        05/95
A.S. Management                    Purdue University        05/93
Institute of Business Appraisers
American Society of Appraisers
Professional Valuation of Appraisers (2000-2002)

Professional Associations:
PVSG, professional Valuation Study Group
Institute of Business Appraisers
Chicagoland Affiliate of Professional Practice Consultants

Work Experience:
Owner, Practice Broker,
Practice AppraiserApex Solutions, LLC                    4/01-present

Management Consultant, Practice Sales/Appraisal/ Brokering
Senate management                    2/98-present

Staff Accountant
RF Rifkin, Ltd., CPA’s                    7/95-2/98

Clinical Assistant, Office Administrator
Dental Dimensions, Ltd.                    2/88-7/95


Staci Liker: Boardmember
Education:
Bachelor of Arts in English, University of Illinois at Chicago, Honors (graduated 2001)
Post-Baccalaureate work, University of Illinois at Chicago (2003-04)
Matriculate at the University of Illinois at Chicago to College of Medicine (2006)

Research Assistant:
1. “PACED” (Patient Activation Cancer Early Detection), John H. Stroger, Jr. (2003-04)
2. Health Partnership w/ Hospitalized Smokers. A primary Study w/ John H. Stroger, Jr. Hospital,
Rush University Medical Center, 10/2004-present
3. “Dance for Joy” promoting exercise in African American Women through African Dance,
John H. Stroger, Jr. Hospital, Rush University Medical Center (2006)

Intern:
Frontier Nursing Service Courier Program, Mary Breckenridge Hospital,
(06-04/2004)

Spokes Person: Michelle Rae

Experience:
trade shows, print work, performance, movie extra work
(notably ‘Roll Bounce’ released 2005), movie shorts, public speaking, artist representation

Personal Interests:
painting & sculpting, cycling, yoga, hiking, traveling
 
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Artciles of Incorporation
By Laws
2007 990
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